The Works of Max Beerbohm
by Max Beerbohm
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The Works of Max Beerbohm Summary
| He did not raise his hat in answer to my salute, but smiled most graciously and made as though he would extend his hand to me, mistaking me, I doubt not, for one of his friends. Forthwith, a member of his suite said something to him in an undertone, whereat he smiled again and took no further notice of me. |
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| How very delightful Grego’s drawings are! For all their mad perspective and crude colour, they have indeed the sentiment of style, and they reveal, with surer delicacy than does any other record, the spirit of Mr. Brummell’s day. Grego guides me, as Virgil Dante, through all the mysteries of that other world. He shows me those stiff-necked, over-hatted, wasp-waisted gentlemen, drinking Burgundy in the Cafe’ des Milles Colonnes or riding through the village of Newmarket upon their fat cobs or gambling at Crockford’s. Grego’s Green Room of the Opera House always delights me. The formal way in which Mdlle. Mercandotti is standing upon one leg for the pleasure of Lord Fife and Mr. Ball Hughes; the grave regard directed by Lord Petersham towards that pretty little maid-a-mischief who is risking her rouge beneath the chandelier; the unbridled decorum of Mdlle. Hullin and the decorous debauchery of Prince Esterhazy in the distance, make altogether a quite enchanting picture. But, of the whole series, the most illuminative picture is certainly the Ball at Almack’s. In the foreground stand two little figures, beneath whom, on the nether margin, are inscribed those splendid words, Beau Brummell in Deep Conversation with the Duchess of Rutland. The Duchess is a girl in pink, with a great wedge-comb erect among her ringlets, the Beau tre‘s de’gage’, his head averse, his chin most supercilious upon his stock, one foot advanced, the gloved fingers of one hand caught lightly in his waistcoat; in fact, the very deuce of a pose. |
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