eBooks - Education - Literary Studies - Patrick Anderson - The Triumph of the Thriller
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Chapter 1 A New Beat In 2000, Marie Arana, the editor of The Washington Post Book World, put me on the thriller beat. I had for years reviewed both fiction and nonfiction for Book World, but now Marie wanted me to focus on the crime-related novels that have come to dominate the best-seller lists. Soon I began reviewing a new book each Monday in the Post’s freewheeling Style section. Over the years, reading purely for pleasure, I’d become a fan of such writers as John D. MacDonald, Lawrence Sanders, Elmore Leonard, Ross Thomas, Ed McBain, James Lee Burke, Thomas Harris, and Michael Connelly. Now, reading thrillers on a regular basis, I learned how much more talent was out there. I discovered people like Dennis Lehane, Ian Rankin, Donna Leon, Robert Littell, George Pelecanos, John Lescroart, and Alan Furst. I reviewed best sellers by John Grisham, Tom Clancy, Sue Grafton, John Sandford, James Patterson, and Patricia Cornwell; some I admired, some I deplored, but their success says something about our popular culture. I’ve had the pleasure of telling our readers about new talent like Karin Slaughter, David Corbett, Robert Reuland, and Charlie Huston. The more I read, the more I was struck by the transformation in America’s reading habits. I grew up with the blockbuster novels of the 1950s and 1960s, written by people like James Michener, Harold Robbins, John O’Hara, Jacqueline Susann, Herman Wouk, and Irving Stone. They explored sex, money, movie stars, war, religion, and exotic foreign lands but rarely concerned themselves with crime. In those days, crime novels were trapped in the genre ghetto, often published as paperback originals, and rarely won a m... |
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There’s been a revolution in American popular fiction. The writers who dominated the bestseller lists a generation ago with blockbuster novels about movie stars and exotic foreign lands have been replaced by a new generation writing a new kind of bestseller, one that hooks readers with crime, suspense, and ever-increasing violence. Patrick Anderson, The Washington Post’s man on the thriller beat, calls this revolution “the triumph of the thriller,” and lists among its stars Thomas Harris, Michael Connelly, George Pelecanos, Dennis Lehane, Sue Grafton, and Elmore Leonard. In his provocative, caustic, and often hilarious survey of today’s popular fiction, Anderson shows us who the best thriller writers are–and the worst. He shows how Michael Connelly was inspired by Raymond Chandler, how George Pelecanos toiled in obscurity while he mastered his craft, how Sue Grafton created the first great woman private eye, and how Thomas Harris transformed an insane cannibal into the charming man of the world who made FBI agent Clarice Starling his lover. Anderson shows Scott Turow inventing the modern legal thriller and John Grisham translating it into a stunning series of bestsellers. He casts a cold eye on Tom Clancy’s militaristic techno-thrillers, and praises Alan Furst and Robert Littell as world-class spy novelists. He examines the pioneering role of Lawrence Sanders, the offbeat appeal of Dean Koontz, the unprecedented success of The Da Vinci Code, and the emergence of the literary thriller. Most of all, Anderson demands that the best of these novelists be given their due–not as genre writers, but as some of the most talented men and women at work in American fiction. Don’t trust the literary elites to tell you what to read, he warns–make up you own minds. The Triumph of the Thriller will convince many readers that we’ve entered an important new era in popular fiction. This book can be your guide to it. From the Hardcover edition. |
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eBooks - Titles - Authors - Education - Literary Studies - Patrick Anderson - The Triumph of the Thriller