Style

by Walter Raleigh


Style - Adobe eBook

Style

Adobe

Platforms
Windows Vista / XP / 2000, Mac OS X, Sony Reader

Features
Advanced navigation, search, bookmarks, and multiple viewing options.

Availability:
Download Now

Price: $2.39


Style - Microsoft Reader eBook

Style

Microsoft Reader

Platforms
Windows 98+, Tablet PC, Pocket PC 2003

Features
ClearType, advanced navigation, search, personal library, bookmarks, notes, and drawing.

Availability:
Download Now

Price: $1.99


Style - Palm eBook

Style

Palm

Platforms
All Palm & Pocket PC handheld devices plus all Windows and Macintosh computers.

Features
Advanced navigation, search, bookmarks, and powerful viewing features.

Availability:
Download Now

Price: $3.84


Style Summary

Style, the Latin name for an iron pen, has come to designate the art that handles, with ever fresh vitality and wary alacrity, the fluid elements of speech. By a figure, obvious enough, which yet might serve for an epitome of literary method, the most rigid and simplest of instruments has lent its name to the subtlest and most flexible of arts. Thence the application of the word has been extended to arts other than literature.

Style, the Latin name for an iron pen, has come to designate the art that handles, with ever fresh vitality and wary alacrity, the fluid elements of speech. By a figure, obvious enough, which yet might serve for an epitome of literary method, the most rigid and simplest of instruments has lent its name to the subtlest and most flexible of arts. Thence the application of the word has been extended to arts other than literature, to the whole range of the activities of man. The fact that we use the word “style” in speaking of architecture and sculpture, painting and music, dancing, play-acting, and cricket, that we can apply it to the careful achievements of the housebreaker and the poisoner, and to the spontaneous animal movements of the limbs of man or beast, is the noblest of unconscious tributes to the faculty of letters. The pen, scratching on wax or paper, has become the symbol of all that is expressive, all that is intimate, in human nature; not only arms and arts, but man himself, has yielded to it. His living voice, with its undulations and inflexions, assisted by the mobile play of feature and an infinite variety of bodily gesture, is driven to borrow dignity from the same metaphor; the orator and the actor are fain to be judged by style. “It is most true,” says the author of THE ANATOMY OF MELANCHOLY, “STYLUS VIRUM ARGUIT, our style bewrays us.” Other gestures shift and change and flit, this is the ultimate and enduring revelation of personality. The actor and the orator are condemned to work evanescent effects on transitory material; the dust that they write on is blown about their graves. The sculptor and the architect deal in less perishable ware, but the stuff is recalcitrant and stubborn, and will not take the impress of all states of the soul. Morals, philosophy, and aesthetic, mood and conviction, creed and whim, habit, passion, and demonstration — what art but the art of literature admit...




eBooks > Titles > Authors > Education > Literary Studies > Walter Raleigh > Style