eBooks - Literature - Classics - THOMAS HARDY - The Return of the Native
The Return of the Native eBooks
by THOMAS HARDY
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The Return of the Native Summary
| Along the road walked an old man. He was white-headed as a mountain, bowed in the shoulders, and faded in general aspect. He wore a glazed hat, an ancient boat-cloak, and shoes; his brass buttons bearing an anchor upon their face. In his hand was a silver-headed walking stick, which he used as a veritable third leg, perseveringly dotting the ground with its point at every few inches' interval. |
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| This is the story of a man returning to his native area from Paris and his fatal marriage to, Eustacia, the one woman in all of Dorset shire that he should not marry. She is too free-spirited and sensuous, while he is very solemn and wanting to settle and raise a family. The story infers of the belief that one impersonal force that controls us like destiny or fate. Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable. |
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| Hardy's characters envelop you in this classic of love, life and death on Egdon Heath. |
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The Return of the Native combines all of the great themes of Thomas Hardy's works. Wonderful descriptions of the English countryside underscore a rural tale of doomed love, passion, and melancholy. The novel opens with the famous portrait of Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy" of the book. The heath's changing face mirrors the fortunes of the farmers, innkeepers, sons, mothers, and lovers that populate the novel. The "native" is Clym Yeobright, coming home from a successful, cosmopolitan life in Paris, a place far removed from the unforgiving landscape of Egdon Heath. He finds that his cousin, Thomasin, is about to marry Damon Wildeve, a rakish and confused man with a lover, Eustacia Vye, whom he cannot forget. Eustacia is willful, ambitious, and dangerously alluring. Hardy describes her as "the raw material of a divinity... She had Pagan eyes, full of nocturnal mysteries." As the characters are drawn together, they scheme and maneuver, often under the eye of Diggory Venn, the reddleman whose relentless virtue must find its reward at the violent climax of the novel. The Return of the Native was first published in Belgravia magazine in twelve parts in 1878 and revised by Hardy in 1895 and in 1912, when he produced the definitive Wessex Edition of all of his novels. Described on publication by Harper's magazine as "delightful reading," it has retained its power to move and absorb the reader and stands with The Mayor of Casterbridge and Jude the Obscure among the finest of Hardy's works.
Jacket front courtesy of Hallmark Hall of Fame/Kevin Cozad |
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The Return of the Native combines all of the great themes of Thomas Hardy's works. Wonderful descriptions of the English countryside underscore a rural tale of doomed love, passion, and melancholy. The novel opens with the famous portrait of Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called 'the real stuff of tragedy' of the book. The heath's changing face mirrors the fortunes of the farmers, innkeepers, sons, mothers, and lovers that populate the novel. The 'native' is Clym Yeobright, coming home from a successful, cosmopolitan life in Paris, a place far removed from the unforgiving landscape of Egdon Heath. He finds that his cousin, Thomasin, is about to marry Damon Wildeve, a rakish and confused man with a lover, Eustacia Vye, whom he cannot forget. Eustacia is willful, ambitious, and dangerously alluring. Hardy describes her as 'the raw material of a divinity. . . . She had Pagan eyes, full of nocturnal mysteries.' As the characters are drawn together, they scheme and maneuver, often under the eye of Diggory Venn, the reddleman whose relentless virtue must find its reward at the violent climax of the novel. The Return of the Native was first published in Belgravia magazine in twelve parts in 1878 and revised by Hardy in 1895 and in 1912, when he produced the definitive Wessex Edition of all of his novels. Described on publication by Harper's magazine as 'delightful reading,' it has retained its power to move and absorb the reader and stands with The Mayor of Casterbridge and Jude the Obscure among the finest of Hardy's works. |
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| The native of the title is Clym Yeobright, who returns to the area from the bright society of Paris and, as any reader of Hardy knows, all is not smooth. He is quickly taken by and marries the one woman he should not--Eustacia Vye. The suffering that follows is mitigated somewhat by the ending. |
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One of Hardy's classic statements about modern love, courtship, and marriage, The Return of the Native is set in the pastoral village of Egdon Heath. The fiery Eustacia Vye, wishing only for passionate love, believes that her escape from Egdon lies in her marriage to Clym Yeobright, the returning "native," home from Paris and discontented with his work there. Clym wishes to remain in Egdon, however—a desire that sets him in opposition to his wife and brings them both to despair. Behind the narrative of The Return of the Native lie the tragic fates of Flaubert's Madame Bovary and Oedipus, and in writing the novel Hardy endowed his ordinary characters with the status of tragic heroes, seen especially in the ill-fated lovers and Damon Wildeve, who spoil their chances to master their own destinies. |
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' The Return of the Native |
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| This is the story of a man returning to his native area from Paris and his fatal marriage to, Eustacia, the one woman in all of Dorset shire that he should not marry. She is too free-spirited and sensuous, while he is very solemn and wanting to settle and raise a family. The story infers of the belief that one impersonal force that controls us like destiny or fate. Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable. |
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A SATURDAY afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor. The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an instalment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky. Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking dread. In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time. It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn: then, and only then, did it tell its true tale. The spot was, indeed, a near relation of night, and when night showed itself an apparent tendency to gravitate together... |
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eBooks - Titles - Authors - Literature - Classics - THOMAS HARDY - The Return of the Native