eBooks - Arts - Media & Entertainment - Carl Rollyson - Documentary Film
Documentary Film eBooks
by Carl Rollyson
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Platforms
Windows Vista / XP / 2000, Mac OS X, Sony Reader Features
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Availability:
Download Now Price: $6.00
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Platforms
Windows Vista / XP / 2000, Mac OS X, Sony Reader Features
|
Availability:
Download Now Price: $6.00
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Documentary Film Summary
| Documentary Film: A Primer provides a succinct introduction to the nature of the documentary, drawing on examples from the work of Robert Flaherty, Dziga Vertov, Leni Riefenstahl, Woody Allen, Warren Beatty, Spalding Gray, Cindy Sherman, Susan Sontag, and others. The documentaries discussed cover a range of subjects including the Russian Revolution, the Holocaust, and the worlds of fashion and sports. This incisive foray into the essentials of documentary is then buttressed by an in depth discussion of the career of Jill Craigie, a British director/writer who brought to the cinema an uncompromising socialist and feminist perspective during the Second World War. How Craigie got her films produced by a major studio, and why her work could not be replicated in postwar Britain, reveal not only the way documentaries are made but also why they remain a controversial and problematic genre. A selection of Rollyson |
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| Documentary Film: Contexts and Criticism is designed to complement Rollyson's Documentary Film: A Primer. The films discussed in this volume include Zelig, the Lumiere brothers documentaries, Nanook of the North, The Man With a Movie Camera, Triumph of the Will, Olympia, The Wonderful Horrible Life of Leni Riefenstahl, Why We Fight, Fires Were Started, and several Jill Craigie films, including an extended discussion of Two Hours From London, her controversial examination of the Balkan wars and the siege of Dubrovnik. What sets this text apart from other studies of documentary is that it includes a wide array of student comments on the films and reviews very much centered in discussions of the documentary tradition. In this same vein, Rollyson has included his essay, "Jill Craigie and the Documentary Tradition" exploring her relationship with John Grierson and other prominent documentary filmmakers. This dialogic text captures some of the actual give-and-take of the classroom and the range of opinion that even the best critics cannot convey. What should emerge from the reading of these comments are the different voices (mindsets) through which the films are viewed. |
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eBooks - Titles - Authors - Arts - Media & Entertainment - Carl Rollyson - Documentary Film