The Black Tulip | Alexandre Dumas | Literature | Literature | eBooks
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| On the 20th of August, 1672, the city of the Hague, always so lively, so neat, and so trim that one might believe every day to be Sunday, with its shady park, with its tall trees, spreading over its Gothic houses, with its canals like large mirrors, in which its steeples and its almost Eastern cupolas are reflected, - the city of the Hague, the capital of the Seven United Provinces, was swelling in all its arteries with a black and red stream of hurried, panting, and restless citizens, who, with their knives in their girdles, muskets on their shoulders, or sticks in their hands, were pushing on to the Buytenhof, a terrible prison, the grated windows of which are still shown, where, on the charge of attempted murder preferred against him by the surgeon Tyckelaer, Cornelius de Witt, the brother of the Grand Pensionary of Holland was confined. |
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| On the 20th of August, 1672, the city of the Hague, always so lively, so neat, and so trim that one might believe every day to be Sunday, with its shady park, with its tall trees, spreading over its Gothic houses, with its canals like large mirrors, in which its steeples and its almost Eastern cupolas are reflected, - the city of the Hague, the capital of the Seven United Provinces, was swelling in all its arteries with a black and red stream of hurried, panting, and restless citizens, who, with their knives in their girdles, muskets on their shoulders, or sticks in their hands, were pushing on to the Buytenhof, a terrible prison, the grated windows of which are still shown, where, on the charge of attempted murder preferred against him by the surgeon Tyckelaer, Cornelius de Witt, the brother of the Grand Pensionary of Holland was confined. |
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| Although this book does not follow the same style of adventure Dumas had written in his Musketeer stories, this book has been said to be his best. This story is filled with romance, love, excitement, and of course, Tulips. An excellent "happily ever after" ending. A must read! Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable. |
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| Alexandre Dumas's novels are notable for their suspense and excitement, their foul deeds, hairsbreadth escapes, and glorious victories. In The Black Tulip, the shortest of Dumas's most famous tales, the real hero is no Musketeer, but a flower. The novel--a deceptively simple story--is set in Holland in 1672, and weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a timeless political allegory in which Dumas, drawing on the violence and crimes of history, makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra. This edition reprints the first, classic English translation. David Coward sets the novel in the context of its author's life, the turbulent history of the Dutch Republic, and the amazing "tulipmania" of the 17th century which brought wealth to some and ruin to many. |
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On the 20th of August, 1672, the city of the Hague, always so lively, so neat, and so trim that one might believe every day to be Sunday, with its shady park, with its tall trees, spreading over its Gothic houses, with its canals like large mirrors, in which its steeples and its almost Eastern cupolas are reflected, - the city of the Hague, the capital of the Seven United Provinces, was swelling in all its arteries with a black and red stream of hurried, panting, and restless citizens, who, with their knives in their girdles, muskets on their shoulders, or sticks in their hands, were pushing on to the Buytenhof, a terrible prison, the grated windows of which are still shown, where, on the charge of attempted murder preferred against him by the surgeon Tyckelaer, Cornelius de Witt, the brother of the Grand Pensionary of Holland was confined. If the history of that time, and especially that of the year in the middle of which our narrative commences, were not indissolubly connected with the two names just mentioned, the few explanatory pages which we are about to add might appear quite supererogatory; but we will, from the very first, apprise the reader - our old friend, to whom we are wont on the first page to promise amusement, and with whom we always try to keep our word as well as is in our power - that this explanation is as indispensable to the right understanding of our story as to that of the great event itself on which it is based. Cornelius de Witt, Ruart de Pulten, that is to say, warden of the dikes, ex-burgomaster of Dort, his native town, and member of the Assembly of the States of Holland, was forty-nine years of age, when the Dutch people, tired of the Republic such as John de Witt, the Grand Pensionary of Holland, understood it, at once conceived a most violent affection for the Stadtholderate, which had been abolished for ever in Holland by the "Perpetual Edict" forced by John de Witt upon the United Provinces. As it rarely... |
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' The Black Tulip |
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On the 20th of August, 1672, the city of the Hague, always so lively, so neat, and so trim that one might believe every day to be Sunday, with its shady park, with its tall trees, spreading over its Gothic houses, with its canals like large mirrors, in which its steeples and its almost Eastern cupolas are reflected, - the city of the Hague, the capital of the Seven United Provinces, was swelling in all its arteries with a black and red stream of hurried, panting, and restless citizens, who, with their knives in their girdles, muskets on their shoulders, or sticks in their hands, were pushing on to the Buytenhof, a terrible prison, the grated windows of which are still shown, where, on the charge of attempted murder preferred against him by the surgeon Tyckelaer, Cornelius de Witt, the brother of the Grand Pensionary of Holland was confined. If the history of that time, and especially that of the year in the middle of which our narrative commences, were not indissolubly connected with the two names just mentioned, the few explanatory pages which we are about to add might appear quite supererogatory; but we will, from the very first, apprise the reader - our old friend, to whom we are wont on the first page to promise amusement, and with whom we always try to keep our word as well as is in our power - that this explanation is as indispensable to the right understanding of our story as to that of the great event itself on which it is based. Cornelius de Witt, Ruart de Pulten, that is to say, warden of the dikes, ex-burgomaster of Dort, his native town, and member of the Assembly of the States of Holland, was forty-nine years of age, when the Dutch people, tired of the Republic such as John de Witt, the Grand Pensionary of Holland, understood it, at once conceived a most violent affection for the Stadtholderate, which had been abolished for ever in Holland by the "Perpetual Edict" forced by John de Witt upon the United Provinces. As it rarely happens that public opinion, in its whimsical flights, does not identify a principle with a man, thus the people saw the personification of the Republic in the two stern figures of the brothers De Witt, those Romans of Holland, spurning to pander to the fancies of the mob, and wedding themselves with unbending fidelity to liberty without licentiousness, and prosperity without the waste of superfluity; on the other hand, the Stadtholderate recalled to the popular mind the grave and thoughtful image of the young Prince William of Orange. |
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| A deceptively simple story and the shortest of Dumas's most famous novels, The Black Tulip (1850) weaves historical events surrounding a brutal murder into a tale of romantic love. Set in Holland in 1672, this timeless political allegory draws on the violence and crimes of history, making a case against tyranny and creating a symbol of justice and tolerance: the fateful tulipa negra. |
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